![]() ![]() It’s a change that’s also the backbone of jazz music too. The most typical core change in any Dorian mode is to go from i7 to IV7 (or ii7 to V7 in a major key). ![]() Gm is the ii chord, and a Dorian mode can be played starting on the sub-mediant tone (the 2nd note) of any major scale. The sheet music I took this from has the key as F major, which I’ve kept as it has implications for the harmony and mode being used.Ī typical harmonic device used in lots of funk progressions, as well as R&B and related genres, is the use of chords played from the Dorian mode. In this funk classic from Kool & The Gang, the Gm chord is literally the only chord used in the entire song. It’s beyond the scope of this article to explain more, but we hope you’ll look further into the idea of using chords that don’t start with the root note. These sorts of chords have huge potential not only in funk music but in all sorts of music as well. We use 6 to denote the third in the bass, which comes from classical harmonic analysis.Īb/C (literally means Ab major with a C in the bass) is a much more straightforward chord symbol. You’ll need to understand how we came up with the scale and how to build chords using thirds, but the above information should help you fill in the gaps in your knowledge. It’s often a mystery to many songwriters how all of these chords go together so well, but it’s often just because they come from the key in the song set in.
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